This life sized Chinese cast iron head of Buddha features a relaxed, benevolent expression with downcast gaze consistent with the introspective Southern Song dynasty and is probably from the period. The elongated ears are unadorned though each appearing to retain a small pin from the casting process. The hair, with part at the forehead, is consistent with earlier castings of Buddha from the Song dynasty and features evenly spaced whorls instead of tightly arranged curls. A seam (consistent with the casting process) separates front from back, an opening from the time of casting appears at the top (uncertain whether a relic of the process or intended for some decorative or functional use), and a small opening appears centered low on the back (probably a relic of the casting). An old stress line appears on the back between neck and head from behind the right ear to the left front neckline. An old opening, apparently dating from the casting, appears along the old stress line. As these larger figures were cast in parts and subsequently assembled, it is unclear if the "stress line" relates (at least along the back neckline) to this method. The natural, ferrous patina includes weathering of the surface - the coarse texture being part of the charm of such iron sculpture. The whole is in stable condition, the uneven edge at bottom of the neck resting tightly in a 19th century custom fitted hardwood stand - fitted later to a tall, tapered display plinth of square section. The head, from the bottom of the antique rosewood stand to the top of the ushnisha (cranial protuberance symbolizing spiritual attainment), measures about 14 inches. The later display plinth adds another 10 1/8 inches (so 24 1/8 inches display height).

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