Kashmiri kangri in typical Mughal dynasty form (coal fueled warmer). Also sometimes called kanger or kangar. Used inside overcoat-like cloak (gingerly if you can imagine) or as a hand warmer if more form-fitting attire. It is difficult to imagine a metal example would have been used as such. This example may have served an alternative purpose. Metalworked examples of the form are not common - the typical materials being reed covered pottery (insulating one from burns.) Later, Raj silver services on rare occasion used the kangri form for service pieces such as creamers, sugars, tea pots, tea dumps, etc. We believe the present example should be at least early 19th century. This would make a wonderfully unusual and antique conversation piece. The whole with details crisply chiseled into the repousse decoration. The openworked, upper portion with a pair of pea fowl parading along the rim above a band of flower heads. The lower, bowl portion with similarly chiseled decoration of intricate vine and flowers among saz leaf paisleys forming a regular pattern atop a rather finely stippled ground. A flower head band again appears above a decorated, waisted foot with lattice worked, splayed rim. The beautiful verdigris patina appears to be an old, authentic patina acquired naturally over some time. We have found depth and persistence of a patina combined with an absence of metal corrosion to be a good indication of authentic, old patinas. The condition is good. A couple small areas of brighter green in the patina suggest a relatively high copper content. Color consistent with this premise shows from a minuscule 1.5mm point of disturbed patina on the side and some more along the foot rim. A bend along the foot rim suggests a commensurate degree of malleability. It could be used with potpourri or as a stand alone decorative work of art. Height: 6 5/8 inches (16.8cm)

A Chinese sancai (three color) decorated biscuit figure of Li Bai - an historical Chinese poet of the Tang dynasty. The colors, on famille verte palette, adorn the figure in repose, leaning on a wine pot. The group functions as a brush washer that would have been used on a scholar’s table (appropriate to the subject). Probably Kangxi period - late 17th century. With later stand. Length, at longest span, about 6 inches. Condition is good for the period and intended use, with only a small chip on the wine pot and on the end of an object (probably a brush case) in his right hand.

Pair of Niō guardian figures in forbidding pose. Vigorously sculpted wood with remnants of distressed polychrome pigments. Later Edo period - probably first half of the 19th century. The sculptures are in fair, presentable condition though polychrome pigments are distressed and loose. With some checking and movement of the wood to be expected, there is a larger crack in the lower half of one figure. Standing about 22 inches including the bases, add another few inches for the blade held high by one of the figures.

A finely worked Koftgari damascene gold inlay on steel decorated casket form box. Possibly from Sialkot but certainly from the Kashmir area of North India at the time (now Pakistan). 19th century. 5 1/8 inches length, 3 1/3 inches wide, 3/3/8 inches high - also with ring handle on boss fitted to the top. Good condition (key not retained).

An Edo period kake-suzuribako (scroll calligraphy box). Iron hardware all in place. Lock face and key but lock works mostly gutted. Original tray with liner retained. Wood surface naturally distressed from use but with expected, even patina with all the accompanying charm. A smoothly finished zelkova (keyaki) may be used for the primary wood, and sugi (cedar) for the aromatic secondary wood. Length, 14 1/4 inches. Depth, 9 1/2 inches. Height, 9 3/4 inches.

A finely decorated Chinese famille verte porcelain plaque. Exuberant and well decorated scene of figures in architectural and garden landscape, surrounded by a band of flower, bird and precious objects adorned reserves. An inscription on the verso. Originally a component in a chair, stool, table or screen, now entirely useful as a trivet or decoration (or perhaps to complete a rare early furniture item in need of an inset). 18th century. Good condition, with some glaze wear or fritting around the rim. 13 3/4 inches diameter.

Chippendale mahogany reverse serpentine (oxbow) slant front desk. Ball and claw feet. Circa 1770. Good, old surface. Relined drawers. Original back and bottom show the age and oxidation of some original, untouched secondary surfaces. Replaced drawer brasses. Some loose, smaller pulls for slant front slide supports and interior gallery drawers retained. A locksmith need be retained to loose the top drawer. Otherwise good condition. Massachusetts, probably Boston. Height, 44 1/2 inches. Width, 41 1/2 inches. Depth, 27 inches (add another 1.5 inches for convex drawer fronts and foot returns). A rare opportunity to acquire, enjoy and conserve as steward a beautiful specimen born with our country.

This desk may be inspected at The Antique Center at Historic Savage Mill, Maryland

A very finely made Satsuma alms bowl form kōro (incense burner). Clear glaze pooling to a light, warm green tea tone over the off-white earthenware body. The reticulated surface of the vessel enclosing a smaller, solid surface to hold burning incense (a technical feat demonstrating the imagination and skill of the potter). Relief key fret band around the rim and comb pattern around the base. Similar relief decoration on three shaped feet. The cover a single reticulated surface allowing essence from the incense to pass. An unglazed ring on the bottom, centered within the three feet, surrounding a smooth surface where at least two incised kanji characters are almost legible under the glaze near one of the feet. With fitted wood box, the cover inscribed ‘Satsuma [?] kiln, basket weave incense burner’ and signed ‘Gyokumeizan’ (a celebrated line of ceramists), each with seal stamps. “Satsuma” is the old name of the province and the namesake of its ceramic tradition. We are not sure if “Satsuma” on the box is reference to a municipality or a market enterprise (as the trailing kanji character could be the same for ‘city/town’ or for ‘market’). We believe this tour de force to be about Taishō era. Condition is good. The reticulated work of the top has one tiny surface loss which does not disrupt the pattern and is barely discernible. The side of the vessel has one spot of thicker glaze softening the definition of the reticulation with opacity at that point. Diameter, about 5 inches. Height (covered), about 4 inches.
Ex collection, Robert Berg (Ichiban Antiques)
Ex collection, David Callens (Meiji Bijutsu)

A Continental or colonial strongly sculpted wood Santos figural group, probably depicting Saint Joseph with baby Jesus. Red, yellow, black, green, teal and skin-tone polychrome painted surface - distressed with time. Inlaid crystal eyes. A pleasing, classical fullness to the flexed posture of the figures despite the rugged strength of this accomplished work. 18th century or earlier. Good condition for the object’s age and medium. Some expected movement of the wood and distress of the polychrome. Height, at least 14 3/4 inches

A well made 19th century Japanese porcelain haisen (sake up rinser on stem foot). Rare Shunga decoration depicting a bondage scene within the bowl. The manner of the painted decoration in comic fashion similar to that found on some shunga makimono. Shunga paintings and prints are rare enough but encountered. Edo period porcelains with shunga decoration are exceedingly rare. Good condition. Height, 4 1/2 inches. Diameter, 6 3/4 inches.

Probably Echizen province, late 16th or 17th century. Bizen province artisans also took up Yoshiro zogan inlay work in the Kinai (ancient provinces and surrounds) manner. Brass (valuable in the period) and silver inlay flush with the iron surface was thought to have been introduced by an artisan named Yoshiro, for whom it is named. Slightly earlier, Heianjo school work tends to rest atop the surface into which it is inlaid. Late Muromachi or early Edo period. Length, about 12 inches. More pictures coming